The Southbound Attic Band consists of Barry Jones, guitarist, singer-songwriter, and Ronnie Clark, bass and backing vocals. Their high energy live set is a combination of Americana, English and Celtic tinged folk rock.
“I thought that was absolutely lovely!” Genevieve Tudor re The Fair from Seekers Of Solace CD played on Sunday Folk on BBC Radio Shropshire 30 July 2017.
Liverpool Sound and Vision Rating 9/10
Life would be intolerable without the huge abundance of many fantastic bands and artists that live and breathe their daily toil of observation and celebration of life in all its shapes and often mishaps; life would certainly be more boring, less examined, surely unendurable without the Seekers Of Solace and the wonderful tale told, Southbound Attic Band’s Barry Jones and Ronnie Clark.
To come across this marvellous duo anywhere on the road is like finding your dreams answered with a willing smile, a sentinel with a salute and the guide to life’s more discerning characters thrown in; hearing them as bold as brass and more beautiful than the appearance of a rainbow at dawn as they sing down your ears from a C.D, that is another matter entirely.
For the Seekers Of Solace, to hear them with the sense of gravitas, of humour, of the study of upbeat and the positive is to feel as if you had wandered into another time, a period in which the flowering poetry scene inhabited by Adrian Henri, Brian Patten and Roger McGough was the revolution that hung gracefully in the air, a time in which the lyrics of Barry Jones certainly fit and complement.
The album can be seen as a fitting tribute, not only to Liverpool, but to the late Stanley Ambrose whose name might not mean much to those outside of the confines of the Liverpool ear but to whom should nevertheless be respected as being one of the truly decent men to whom the Liverpool music was everything, who gave his time without argument and with the passion that artists and musicians fully deserve. It is in the sad loss of the man, highlighted in the powerful track Song For Stan, that many should hope that their town, their city, could have such a person dedicating their lives to the art.
Seekers Of Solace doesn’t deviate from a winning formula, in that alone the smiles of appreciation are even greater, Ronnie Clark’s backing is buoyant and craftily cool, whilst Barry Jones playfully sings down your ears and leaves nothing but a happy trail of fortune whispering in your mind.
In songs such as Old Fools, the remarkable tale of forgotten memories in The Fair, Molly’s Song, the fantastic and heart warming Rime of The Open Micer and the short cautionary tale of realisation in The Man on The Train, the Southbound Attic Band have once more given the city and beyond the greatest gift of all, the ability to smile and laugh whilst playing incredibly gorgeous music; a combination so rare that it makes you love them even more.
Ian D. Hall
“Southbound Attic Band brought a lot of energy and humour in their bar set. Again, delivering a completely different sound and vibe from the Shannen Bamford performance that immediately preceded it. It led with walking bass, harmonica, humorous lyrics, a great waist coat and an excellent hat. Playing in the bar area brought everybody closer in, and those that had seen the band play before encouraged them to play what can only be their classic, ‘Where’s My ******* Sausage’, which everyone joined in with. It is impossible not to smile while watching this band.”
Johanna Tidmarsh LSRadio March 2015 Review of Liverpool Acoustic Festival, Unity Theatre 20 March 2015
” Ever wandered into a pub and fallen into conversation with the best story teller you’ve heard. Time slips slowly, there is laughter, so much you cry laughing only for the next story to break your heart. He seems to have trod the same streets as you but has seen them with a poet’s eye. When his mate Ron comes back from the bar they bid their farewells until next time, and off they go to find new stories to tell. You sit back and recall the tales in the songs they left you singing – if you can get your hands on the new Southbound Attic Band disc then do so – better still go see them live.”
Tony Donaghey (Liverpool Bands) October 2014
Album: Our Day In The Sun
Label: Self Released
It’s a bit late with this review, played a couple of songs on my “Along The Tracks” radio show, put the cd back in the wrong pile and the review went out of the window, so this one is a little late, but definitely worth the effort.”Our Day In The Sun” is the fourth album from the Liverpool based duo that are the Southbound Attic Band and it has to be said that that city, it’s people and its environs provide a lot of the inspiration for the twelve original tracks that make up the album.Many of the songs are honed by the gigging the local area, which gives the band members of the band, Barry Jones and Ronnie Clark, plenty of chance to gauge reaction, something that’s particularly important with the songs that are a bit more tongue in cheek. There are some seriously unfunny ‘humorous’ songs out there, any one that has sat in a folk club listening to ‘the next Jake Thakray’ knows exactly what I mean, but there are some genuinely witty moments on here.A lot of the songs are observational in nature and telling a complete story in less than five minutes is never easy, to do so and still have an interesting song that stands as a universal piece is no mean feat and Southbound Attic Band nail it way, way more than the miss.Some of the language is a little fruity, but that’s the nature of the beast. The delivery comes between, blues, Americana and folk, but when all is said and done “Our Day In The Sun” is a good honest album that’s well performed and never tries to be anything it isn’tNeil Kinghttp://www.fatea-records.co.uk/magazine/2014/SouthboundAtticBand.html
Liverpool Sound and Vision Rating 9/10
There are those that seemingly take great pleasure in deriding the power of Folk music. They are willing to sneer and complain that the story, often or not a tale of great morality with twists that raise a smile, is irreverent to the way of the world now. It is not a complaint that passes the lips of those that have Celtic blood raging through their hearts or those with an understanding that Folk, whether Celtic, European or English, touches upon the very nature of communication, simple, effective and memorable.
For underground Liverpool favourites The Southbound Attic Band, communication, the great tales of morality and memorability are wrapped up, presented with the occasion befitting ceremony and relished completely in their new album Our Day In The Sun.
For Barry Jones and Ronnie Clark, Our Day in the Sun brings all the pleasure of sitting somewhere between the great Mike Harding and Alun Parry. The smile being preserved whilst also musing in the way of modern society and the place of the individual within it; the humour and wit that is seen in everyday observations coupled alongside those that hide behind the façade of domesticity and the warring tones behind the closed door.
For Barry Jones and Ronnie Clark the album must surely represent a feeling of stature and it is fully deserved, it is a set of songs that capture the imagination, that represent all that is good in the world, all that shamefully remains unseen and un-talked of. Tracks such as My Irish Home in which the relationship between Liverpool and Ireland is explored by means of a young woman,The Lone Crow which is the perfect allegory for the stance in one person’s actions when up against the chattering mob, Adios Amigo, the beautifully written look at domestic violence but with a great twist, the sensational Hide The Sausage and the live fan favourite The Ballad of George and Maude all highlight the reason why Folk remains the leading exponent of such finely conceived songs.
Our Day In The Sun is one in which the music is elevated by the language on offer, it is an album of album of unashamed local glory that will deserve a wider audience.
Ian D. Hall (Liverpool Sound And Vision)
- Liverpool duo explore their city and its people to good effect
Liverpool’s Southbound Attic Band, aka singer-songwriter Barry Jones and compadre Ronnie Clark, continue to deliver the goods on their fourth album. Theirs is music rooted in their home city and also in the experience of its working class. So while there may be sorrow there’s also laughter, sometimes in the same song, and occasionally some distinctly low humour, as in “Hide the Sausage”, which is about an actual sausage rather than a euphemism but is most definitely NSFW.
Elsewhere “My Irish Home” speaks to the diaspora that landed in Liverpool and in some cases, stayed, there’s poignancy in “The Ballad of George And Maude” and the contemporary dream/ghost tale that is “San Vito 1970” tugs at the heartstrings. In one sense the music is simply “local man sings local songs” (not that there’s anything wrong with that) but in another, far more important one, the music speaks to everyman on every street, with Jones’ gruff unadorned voice telling it, as they say, like it is and revealing the truths behind the facades. And there can never be too much of that.
The Willows Suite
Their first full length CD, The Willows Suite (SAB2 2009) is a full musical suite of original songs, written by Barry, based around the book Wind In The Willows by Kenneth Grahame. The Willows Suite, which incorporates readings from the original text, followed by the song inspired by it, is also an hour long theatre piece which is suitable for all ages except the very young. To critical acclaim, the Southbound Attic Band performed The Willows Suite at Formby Little Theatre for Formby Live 2010 and at the inaugural Liverpool Threshold Festival in 2011. (To Be A Father video (Threshold 2010) http://youtu.be/ZyVEEexTbdM)
FATEA (http://www.fatea-magazine.co.uk/) said “I’m willing to bet that when Kenneth Graham wrote “Wind In The Willows” he didn’t imagine it being performed in a folk blues style, but that’s exactly what The Southbound Attic Band have done and a damned fine job they’ve made of it too. It’s also delicious irony to hear the novel so well performed in the style of the people rather than through a more elitist medium. “The Willows Suite” captures the sense of drama of the book, this is partly achieved by taking passages from the book as introduction to the songs. The characters come to life through the songs.”
“…the ideal soundtrack to a summer’s afternoon” Stuart Todd, Liverpool Acoustic (http://liverpoolacoustic.co.uk/)
Stan Ambrose, Presenter/Producer of Folkscene on BBC Radio Merseyside (46 years and counting) (http://www.bbc.co.uk/radiomerseyside) played the Willows Suite in full, uninterrupted on his programme, and said;
“Charming, integrity of both writing and arrangements”.
Mark Whitfield, Editor of AmericanaUK (www.americana-uk.com) who commissioning a private showing of The Willows Suite for family and friends said;
“Immensely thoughtful storytelling with melodies that leave the hairs on the back of your neck standing up, both moved and delighted at one and the same time. And I’d say that on a lie detector! I mean every word.”
No More Tears
Their second CD No More Tears (SAB3 2011) incorporated what have become their trademark songs, Howling at the Moon and Southbound Train as well as a tribute to their home city of Liverpool, City By The Bay, which featured as a youtube video http://youtu.be/eTMVeZXEwYA on a popular Liverpool Tourism Website. It wasn’t submitted for review anywhere, for now forgettable reasons, although again featured on an hour-long Radio Merseyside Folkscene programme.
Living The Dream
Their latest recording Living The Dream (SAB4 2012) which includes a song written by Ronnie Clark, followed the previous two by featuring in its own hour long edition of Radio Merseyside’s Folkscene programme with Stan Ambrose, and Radio Merseyside’s Billy Butler has also played music from the CD featuring Nostalgia Still Rules on his popular prime time show. In the AmericanaUK (www.americana-uk.com) review, Jeremy Searle described the CD as “Fine old school song-writing and playing… a hugely enjoyable listen.”
FATEA webzine described it as “an album full of home truths delivered with a subtle wit and good honest humour.”
Tony Donaghey from Liverpool Bands (http://www.liverpool-bands.com/) said; “great solid songwriting, every song had a proper tune – immediately hummable and often sing- a-longable.”
“Next up after a short break was the ‘Southbound Attic Band’….I know top name isn’t it. The ‘Southbound Attic Band’ is comprised of Barry Jones Vocals/Guitar/Harmonica and Ronnie Clark Bass/Vocals. There seemed to be some in the audience that were there to enjoy this duo & I soon found out why. Within seconds I was tapping my foot along enjoying their infectious sound. Throughout the set they had the audience bouncing, howling & tooting along & I particularly enjoyed the stories behind the songs linking everything together. I was totally engrossed in the songs and my personal favourite from their set was The Lone Crow. The Southbound Attic Band are regularly found at View Two Gallery which is a wonderful venue in Liverpool as well as festivals up and down the country and after seeing them live myself I would definitely recommend you go check them out, you will have a great night(practice howling & tooting you don’t want to sound like a strangled chicken when you join in ;]). ” Mike Willacy willslmmusic
The festivities kicked off suitably early at 1pm, to accommodate for its fifty plus lineup, with local alt rockers The Next Life andGold Jacks playing to a sunbathed St Lukes Church and adding substance to the attendees of its hallowed, hollow interior. After a couple of short and sweet sets from these young talents, the Bombed Out Church made way for its next act, The Southbound Attic Band. This self proclaimed ‘token oldies’ duo of Barry Jones and Ronnie Clark, demonstrated their experience with a pitch perfect set of witty, folk parables concerning everything from sexual frustration to international espionage, “obviously” announced Jones as he broke into ‘Compromised’.
Continuing on from the acoustic vibe propagated by Jones and Clark, Liverpool’s own ‘Sound Food and Drink’ played host to yet more folk acts. Most beguiling of all was young singer- songwriter Shannen Bamford of Ryvers, whose soulful solo performance; at times reminiscent of Death Cab for Cutie, in the intimate venue, went down like the third bowl of porridge (That’s just right).
Over at ‘The Kazmier’ the festival was experiencing it’s first bout of ‘technical difficulties, leading acts such as Low Winter Sun and Reva going on later, but this did little to dampen the festivities and Rufus Hok’s appearance in ‘The Kazmier Gardens’ came as a release from any tension built up from technical issues, with a spirited, jittery performance of troubadour anthems.
Despite the carefully planned schedule gradually unravelling, the talent took a decidedly relaxed approach and seemed unconcerned. This unforeseen hiccup in proceedings did nothing to hamper the spirit of the festival. In fact, it gave fans more time to flock to the Bombed Out Church to catch the act most had been waiting for, Space. Appearing on stage and ready to perform half an hour later than they were billed and ready to play to their packed congregation, Space secured their place as one of the true highlights of Liverpool Calling. Daniel Pearce
See full article here: http://liverpool-noise.co.uk/2014/07/28/liverpool-calling-part-one-featuring-sound-food-drink-acoustic-stage-to-bombed-out-church-headliners-space/
MONDAY CLUB AT THE CAVERN
many ‘These Favourite Things’
old Monday Club; performance
been many venues Club. Monday especially
and highly the
” It wasn’t long before Barry Jones introduced the evening & then took up position as one half of the Southbound Attic Band who set the mood perfectly. Songs with interesting & entertaining lyrics(pretty sure I’ve not heard a song with Bill Grundys in it before) and banter that helped you relax and feel welcome. A great way to open the evening…”
Mike Willacy on October 2014 Acoustic Dustbowl see full review here(http://tcjshopsessions.blogspot.co.uk/2014/10/the-burning-hell-mathew-street-live-at.html)